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Max for Live

Aimed at electronic musicians, sound designers and installation artists, Iota is a Max For Live granular looping instrument that wrings endless creative potential out of even the simplest samples, via an inspiring graphically-driven interface.

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Conceived and developed by Los Angeles musician, artist and programmer Dillon Bastan, Iota enables spectral regions within samples to be ‘windowed’, looped, layered and processed for the creation of all kinds of tones, soundscapes, glitches and rhythms.

You start by dragging a source sample into Iota from Live or your operating system – a beat, a vocal, a pad, a found sound–and selecting a region within it to be rendered as a continuous stream of tiny slices. Familiar graphical editing tools are then used to draw, move and resize ‘boxes’ in the spectrogram, each one defining the length and frequency content of a band-pass filtered loop in a clear and immediately representative visual manner.By arranging and overlapping multiple boxes, you can deconstruct, fragment and dice the original sample to as coarse or fine a degree as you like. Create lots of small loops to atomise and reimagine a percussion clip, for example, or a few larger ones to carve an orchestral string section up into a scintillating multi-dimensional ambience.

Loops can play back free-running or snapped to grid, and each one has its own bank of granular and mix controls, including direction, speed, panning, volume fade and curve, filter type (FFT or resonant) and a feedback delay effect. Changes made to these parameters, as well as movement of loop boxes, can be recorded and replayed by the onboard automation system, making it easy to apply intricately evolving timbral changes.

Three playback modes let you lock Iota to Live’s transport for synced playback, unlock it to play back autonomously and endlessly – ideal for unattended sound installations –or control individual loops using Push or a MIDI keyboard.

From evocative ambiences and sinuous textures to finely-sculpted FX and polyrhythmic soundbeds, Iota offers a unique and powerful new approach to granular sound design, with no upper or lower limit in terms of sonic complexity.

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Tronix combines the cinematic depth of animated atmospheres, morphed instruments and electrified percussion with cutting leads, growling basses, and tempo-synced audio loops that forward-thinking producers will appreciate.

Basic Quantitative Concepts

Contents

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All Modules

Ratios are simply expressions of one measure relative to another. There are several types of ratios that are frequently used in public health.

Consider a class that has 20 male students and 80 female students. We can think about this in several ways. We could express this simply as the ratio of men to women and write the relationship as 20:80 or 20/80. We can also simplify this by dividing both the numerator and the denominator by a number that divides evenly into both the numerator and the denominator. In this case, we could divide both by 20 to simplify this to a 1:4 ratio (or 1/4 ratio). This indicates that for every man, there are four women.

We could also consider this from the inverse perspective, i.e., the number of women relative to the number of men; in this case the ratio of women to men is 80/20 which is equivalent to 4 to 1, i.e., there are four women for every man.

A proportion is a type of ratio that relates a part to a whole. For example, in the class with with 20 men and 80 women, the total class size is 100, and the proportion of men is 20/100 or 20%. The proportion of women is 80/100 or 80%. In both of these proportions the size of part of the class is being related to the size of the entire class. The class above conveniently had a total size of 100, but this usually isn't the case.

If we go back to the information on mortality from bird flu that was presented on the previous page, it can be seen that there are several ways of thinking about this basic information.

The fact that 44 died and the other 79 lived could be expressed as a simple ratio , which compares the number who died to the number who survived. 44/79 or 44:79 would be two ways of expressing this simple ratio. The ratio of those who died relative to those who lived was 44 to 79.

simple ratio

Alternatively, we might want to focus on the proportion who lived. In total, 123 people were infected, and 44 of these died. Therefore, the proportion who died was 44/123, which could be expressed as a decimal fraction (0.36) or as a percentage (36%). This proportion is referred to as the "case-fatality" rate, although strictly speaking, it is a proportion and not a rate.

Marriage Preparation Courses

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